Rangeela: Reflections
on Rangeela
By Anis Shakur
Yahan
qadar kya dil ki hogi
Ye
duniya hai sheesha garoan ki
It
is as difficult to measure Rangeela’s influence, as it is to count his hyphens.
This
body-builder- painter- actor- hero- comedian- producer- director- writer- singer- distributor- composer also happens to be
the great communicator.
Below
is a sentimental journey through the life and times of the comedy king, Rangeela.
Rangeela was born Mohammad Saeed Khan in 1941,
in Para Chanar, north- west frontier province, Pakistan. Unlike other actors, Rangeela took keen interest in body- building
and physical exercises as a teenager.
He moved to Lahore at a young age and earned
his livelihood by painting bill- boards for the Lahore movie industry. In time due course, he realized that his talents would
not sustain him in a humble professional career of a painter.
Thus, Rangeela looked towards popular actor
of the time, Azad, who trained him in various faculties of the then Pakistani film industry.
Rangeela made his professional cinematic debut
in a 1958 Punjabi film called ‘Jatti’, directed by M.J. Rana. Cast included Musarrat Nazeer, Sudhir, and Rangeela.
As it turned out, it was doable. Thus, Rangeela found his life’s calling—in the movies. With that commenced an
exciting career that spanned over four decades.
He picked one success after another. Below are
six examples:
Punjabi film, ‘Chooriyaan’, 1963,
Urdu film,‘Badnaam’, 1966, golden jubilee Urdu film ‘Humrahi, 1966, Urdu film ‘Sawaal’, 1966,
Punjabi film ‘Bharia mela’, 1966, Punjabi film ‘Lado’, 1966.
Hopes were accordingly high for his movies,
and it is no mean accomplishment that he surpassed expectations with the theatrical release of the five films below:
Punjabi film ‘Jigri yaar’, 1967,
Punjabi film ‘Dil da jani’, 1967, golden jubilee Urdu film ‘Sungdil’, 1968, Punjabi film ‘Roti’,
1968, Punjabi film ‘Dillan day sauday’, 1969.
Inspired and awed by his success in the above
movies, Rangeela worked harder in future movies. The super hit film ‘Diya aur tufaan’, May 9, 1969, was Rangeela’s
directional debut. Additionally, he was also the producer- singer- writer- actor of the movie. Stars included Ejaz- Naghma-
Rangeela.
He directed numerous movies under the banner
of ‘Rangeela productions’. Excellence of his acting potential were enormous in the super hit film ‘Rangeela’,
September 11, 1970, in which he played the title role of Rangeela. Director- producer- actor- writer, Rangeela. Stars included
Nisho- Aqil- Rangeela. Popular song, ‘way gul sunn sonay Aa, haaye way mun monay Aa.’ Singer, Tasawwar Khanum.
Rangeela earned plaudits from his adorers for
his third consecutive super hit film ‘Dil aur duniya’, October 1, 1971, director- producer- actor- singer, Rangeela.
Starring Habib- Aasia- Rangeela.
The above three films were big hits at the box
office in a row. Thus, Rangeela successfully completed the ‘hat trick’ of his movies. He brings to the film ‘Dil
aur duniya’, the sobering sense of a director’s prowess which is the very opposite to his celluloid persona. Rangeela
has been quite comfortable with his crowning achievement. Below are three success stories of Rangeela:
Director S. Sulaiman’s film ‘Bay
wafa.’
Director Khwaja Khursheed’s film ‘Humraaz’.
Cast included Mohammad Ali- Shamim Ara- Rangeela.
Director Humayun Mirza’s film ‘Dil-e-bay
taab.’
‘Sometimes people laugh at me for the
lengths I have gone to’, he said, ‘those lengths have clearly paid off.’
Rangeela’s performance provoked feverish,
star-making praise. Below are six examples:
Punjabi film ‘Heer Ranjha’, 1970,
Urdu film ‘Dosti’, 1970, Punjabi film ‘Basheera’, 1972.
He brings a new level of intensity to a production
of ‘Do Rangeelay’, 1972, producer- director- writer- actor, Rangeela.
The films ‘Ehsaas’, 1972, and ‘Umrao
jan ada’, 1972.
No sound is more sublime than the human voice.
Rangeela possessed that un-expressible pathos in his voice that brought tears to the eyes of the listeners. His forte was
tragic songs, and he was proficient at slow numbers. Below are three examples of his charismatic voice, which gave new dimensions
to the then tragic roles:
‘Ga meray munwa gata jaray, jana hai hum
ka dooor’, the film ‘Diya aur tufaan’, pictured on Ejaz.
‘Tut gaye ajj meray dil day taar’,
the film ‘Do Rangeelay.’
Yahan qadar kya dil ki hogi, ye duniya hai sheesha
garoan ki.’
“My philosophy is to make people appear
at their best,” said Rangeela. He and his film crew made a concerted effort, which paid dividends. Rangeela found a
way, in his exquisite fashion, to make his movies vivid and interesting. Below are six examples:
Rangeela worked real hard for his production,
‘Kubra Aashiq’, 1973, which was the Urdu version of ‘Hunch back of Notre Dame.’ Rangeela filled in
the lead role of Anthony Quinn in ‘Kubra Aashiq.’
Too bad, the movie ended as a recipe for disaster,
and Rangeela was literally devastated.
Essentially, he had invested his fortune in
the film and he lost every single penny in the transaction. According to a movie critic, the film left Rangeela a hunch back
in real life as well. Few actors have experienced as much tragedy and heart- break as Rangeela in ‘Kubra Aashiq.’
Though ‘Kubra Aashiq’ proved to
be an unprecedented blow to Rangeela’s movie career, he did not lose heart. His road to movie stardom is fraught with
success.
Rangeela’s romance with Munawwar Zareef
in the film ‘Rangeela aur Munawwar Zareef’, 1973, is worth applauding.
The 1974 film ‘Manji kithay dahwan.’
In the film ‘Parda na uthao’, Rangeela
played three roles. That of a grand father, father, and the grand son.
The films ‘Bay emaan’, 1974,
‘Farz aur mamta, 1975.
Rangeela, who loses himself in his work, is
the creative mind of our film industry. His funny characters created one of Pakistani entertainment’s most enduring
and beloved personas. Below are three examples:
The films ‘Jatt kurian tu darda’,
1976, ‘Jabru’, 1977, ‘Miss Singapore.’
Those who have seen them could never forget
innocence of those movies, reflecting the condition of the time. Achievement is largely the product of steadily raising one’s
levels of aspiration and expectation.
One may recall numerous movies to exemplify
this point. Below are six such movies:
‘Maula Jatt’, 1979.
‘Aurat Raj’, 1979, producer- director-
actor, Rangeela. Rangeela appeared in four different characters in ‘Aurat Raj’.
‘Khushbu’, 1979.
‘Saathi’, 1980.
‘Naheen abhi naheen’ 1980.
‘Athra puttar’, 1981.
Reverting to his songs, all of his music is
vivid and powerful, but what is most striking about it is its sense of sadness. Recall the tremendous impact he made with
songs like the three below:
‘Hum nay tum say pyar kya hai, ulfat ka
izhaar kya hai’.
‘Bata aye duniya walay keh ye kaisi teri
basti hai.’
‘Jab pyar kisi say hota hai, to hota hai
ye unjaam.’
Over the years, through his songs and movies,
he worked his magic throughout Pakistan. Songs like the three below are a touchstone for all Rangeela’s admirers:
‘Tera kisi pay Aaye dil, tera koi dukhaye
dil.’
‘Mein galyoan ka Raja.’
‘Sunn meray kukku, sunn meray pappu.’
The film ‘Do Rangeelay’, 1972.
The three songs below inscribe in listener’s
mind a sense of humanity that is exclusively its own:
‘Chal meray hamrahi chal.’ The film
‘Dil Aur Duniya.’ 1971.
‘Lay chal ray sanwarya sajaniya kay gaaon.’
‘Apni sansoan mein basa lo to inayat hogi.’
The film ‘Aurat Raj’ 1979.
His patience was endless, and the joys were
boundless. Rangeela’s four glorious decades and three hundred plus movies later, his fame is greater than ever. With
six films below, he scored big at the Pakistani cinema:
‘Visa Dubai da.’ 1982.
The diamond jubilee film ‘Bobby’
1984.
‘Mehendi’ 1985.
‘Hum aik hain’ 1986.
‘Lawa’ 1987.
‘Jadu’.
Equally telling is the fact that Rangeela’s
ability to get through the bone of what makes us tick as human beings and find humor in that relegated Rangeela to the topmost
position in the Pakistani film industry as a singer also. He won the hearts of millions through songs like the four below:
‘Chal bhaag yahan say.’
Mein tay maran ga.’
‘Mera mehboob meray.’
‘Mera pyar bhi.’
Rangeela had am amazing degree of motivation
and determination, which was a gift from God. Moreover, he continued to change, grow and fulfill his life. He continued to
challenge himself in his later films, such as the six below:
‘Bazar-e-Husn’. 1988.
Double version film ‘Madam Bowery’
1989.
Double version film ‘Rangeelay Jasoos.’
1989.
Double version film ‘International Gorillay.’
1990.
The film ‘Majhu’ platinum jubilee,
1991.
Double version film ‘Abdullah the great.’
1992.
All through those years, he worked relentlessly
to make his music and movies leap to life. Rangeela established his national reputation, and his fame skyrocketed and extended
beyond his imagination, after the release of the four songs below:
‘Hum nay jo deikhay khwab suhanay.’
‘Is duniya mein pyar.’
‘Yeh duniya kya hai.’
‘Kya mila zaalim tujhay kyon dil kay tukray
kar deye, rang-e-mehfil deikh kar mehfil kay tukray kar deye.’
Rangeela has been a dominant force in the Pakistani
cinema for over forty years. All through those times, he has really gone to the depths for the moviegoers. Seven movies below
will keep his name alive for an extended period of time:
‘Mazboot’, 1993.
‘Jo dar gaya wo mar gaya.’ 1995.
‘Sona Chandi.’
‘Piya Milan ki Aas.’
‘Mein bhi to insaan hoon.’
‘Gharana.’
‘Humraaz.’
Rangeela’s greatness shines through in
his well-directed movies, in which he acted as well, like the three below:
‘Meri mohabbat teray hawalay.’
‘Subha ka tara.’
‘Ganwaar.’
Likewise, he emerged as a competent director
in movies like the three below:
‘Bay
Gunah’, ‘Ik do hati teen laray’ and ‘Amanat.’
There is plenty of comic exuberance, but you
never lose sight of authoritative direction, by Rangeela. Below are six examples:
‘Jahaiz.’
‘Namak halal.’
‘Ka ka jee.’
‘Raja Rani.’
‘Sahab Bahadur.’
‘Quli.’
The film ‘Khubsurat Shaitan’, 1993,
was the last movie with Rangeela as director. The cast included Rangeela’s son, Salman and Nisho’s daughter, Sahiba
and Rangeela.
Similarly, renowned singer, Sajjad Ali’s
directed film ‘Ek aur love story’, 1999, was the last movie with Rangeela as an actor.
Let us see what was in store for Rangeela at
the Nigar Awards gala, honoring the year’s best movies and actors:
Rangeela earned the Nigar Award for best screen-
writer, in the film ‘Rangeela’ in 1970.
Rangeela earned the Nigar Award for best comedian,
in the film ‘Dil Aur Duniya’ in 1971.
Rangeela earned the Nigar Award for simultaneously
playing three roles in the film ‘Meri zindigi hai naghma’ in 1972.
Rangeela earned the Nigar Award for best comedian
in the film ‘Naukar tay malik’ in 1982.
Rangeela earned the Nigar Award for best story-
writer, in the film ‘Sona chandi’ in 1983.
Rangeela earned the Nigar Award for best director
in the film ‘Sona chandi’ in 1983.
Rangeela earned the Nigar Award for best comedian
in the film ‘Miss Colombo’ in 1984.
Rangeela earned the Nigar Award for best comedian
in the film ‘Baaghi qaidi’ in 1986.
Rangeela earned the Nigar Award for best comedian
in the film ‘Teen yakkay teen chakkay’ in 1991.
Rangeela, who has six sons and eight daughters
from three wives, won national acclaim, working his expressive face to take us on flights of laughter.
Lately, his liver and kidney ailments forced
him to an early retirement from the show business. According to a recent news report, Rangeela’s daughter, Farah Deeba,
said that he is recuperating.
Rangeela understands how time can strip a soul
of comforts.
From actor to director, and from writer to singer,
Rangeela had proved resourceful, ingenious and pioneering.
Most of all, the choices he made, and the performances he gave, helped ignite a renaissance of quality
that lives on today.
.’